12/9/2023 0 Comments Sketch layout of a vice toolIn four structured observation studies, I show how designers can appropriate these probes in their own terms.įor designers to fully benefit from Graphical Substrates, I argue that they need to acknowledge the fundamental design practice of tweaking. I design nine different tools that address the needs identified in the four empirical studies by reifying specific user process into Graphical Substrates probes. ![]() I show how design tools, because they decouple creativity from tool use, prioritize values such as efficiency and user-friendliness that do not support existing creative practices.įacing this mismatch, designers need to resort to programming to benefit from the computational power they can't access with traditional tools.īased on my empirical findings, I propose a new type of design tools, Graphical Substrates, that combine the strengths of both programming and traditional Graphical User Interfaces. In these empirical studies, I analyze the wealth of designer practices and I characterize the existing mismatch between current digital design tools and designers practices. Using StoryPortraits, a method designed to capture rich qualitative insight in a form that supports both analysis and design conversations, I first study four designer practices, ranging from specific design operations such as color selection, alignment and distribution, to more complex endeavors such as layout structuring and collaboration with developers. In this dissertation, I address the following questions: How do designers work with design software? And how can we design novel design tools that better support designer practices? ![]() In recent years, a growing number of designers started questioning the resulting invisibility of design tools in the design process. ![]() Mainstream digital graphic design tools seldom evolved since their creation, more than 25 years ago.
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